Towards the low end of the range, you will find a less expensive but attractive Hisense U7N, which is a downgrade from the premium U8N line, one of the best TVs we have tested early this year. Many of the U7N’s clear advantages and features U8N, only that it is relatively cheap. Its ostensible comparison means is in the areas of both its mini-LED backlight system and brightness, which is rather bright but not as bright as the U8N and less shadow shows.
Everything looks over saturated because the bright and colorful stuff is amazing while the darker elements seem to be dull and washed out in certain aspects. The U7N is still a very good television and much better value than the price we paid for a 65 inch for which I understand is official retail price at US$ 1099.99 but available about US$ 849.99 more often than not, but still the U8N at US$ 1149.99 for 65 inches is the E-Magnolia Editors’ Choice.
Color: Flat and Minimalistic
Apart from the look of the main unit, that is, the screen area, the U7N and the U8N are quite similar. It also features a plain screen design, with top and side bezels bordered by an exceptionally thin metal strip. At the bottom edge of the screen is a very slim two toned bezel which is the only one on the screen. Center of the Two – Train’s ‘Bison’ stands on funny 2 metal legs shaped like Logs of Wood. The base has all the Hibiscus Metal Center Packed Up Covered By A Black Plastic Cap Which Appears To Be Painless Metal Shaved Up.
Qualifying for eARC and two more 4K144, there are four HDMI ports (2, One, USB, 3.5 mm component video input, headphone, 3.5 mm serial out for home theater, antenna/cable in). E. Further in, a second USB and an optical out and ethernet port looking back. And as for the cables it has a power sources, inserted into the right side back of the TV.
The remote is identical to the little plastic rectangular wand that comes with the U8N. Large round chrome pointing device is located in the middle portion of the TV remote. There are buttons above the navigation festival including power, input, and settings as well as voice assistant. There are also other service keys on the extreme end of the remote control, which has Netflix, YouTube, Amazon Prime Video, Disney+, Tubi as well as a shortcut key, and a pinhole microphone. Genereally, volume controls and channel changing controls are present below the navigational pad with control for menu and playing video.
User Interface: Hands-Free Google TV
Google TV is Hisense’s smart TV platform used in high-end televisions, which U7N is included. By default, it is compatible with all popular streaming services such as Amazon Prime Video, Apple TV, Crunchyroll, Disney+, Netflix, Twitch and YouTube, as well as Google Cast that enables streaming content from local Android phones or Chrome tabs. Hisense also makes available the ability to stream from an Apple device via Apple AirPlay.
Using the far-field microphone array, it is possible to enable a hands-free Google Assistant on the U7N. With it turned on, the user can invoke the assistant by saying, ‘Hey Google’ and then follow up with a command. Google Assistant performs content searches as well as providing general information such as the weather, sports scores and can control the television among other smart home appliances, and can even execute simple, but useful tasks like timers and reminders setting.
If you leave the television and not wish to have it listen for voice command, you can still issue the command by using the remote control with an integral microphone, pushing the mic button and speaking into it. Picture Quality: Excellent, except for the Contrast caveat
The Hisense U7N line is a 4K QLED TV with a refresh rate of 144 Hz. It decodes high dynamic range (HDR) content in Dolby Vision, HDR10, HDR10Plus and HLG. It has Wifi 6E and an ATTSC 3.0 Webb Tuner for transmitting 1080p or 4k broadcasts.
In our testing of TVs, we use Klein K-10A, Murideo SIX-G and Calman papers. The U7N by Hisense is not able to achieve the ludicrous brightness that U8N, U9N, or 98UX were able to reach, however it performs well for a mid tier QLED display. Straight from the box, the U7N under Theatre Day mode with SDR input reaches maximum luminance of 593 nits content with a full screen of white and 1030 nits on a 18% white field with a 0.02cd/m^2 black level For mid price LCD TV’s this would be a strong performance for the HTG.
Further HDR signal with these levels sent increases peak brightness to 823 nits,8.46 and depression to 0.013cd/m^2 for 117,538:1 contrast ratio Anamorphic masks on a 1580 white or 1050 inch black mask were also used.
The former has half the brightness of the U8N (2,755 nits of peak brightness for HDR content in the 18% white field) and is also in the same ball-park as go – a Roku Pro Series (1,621 nits of peak brightness for HDR content in the 18% white field). All these models are not equipped with as great absolute brightness level as some of the LG Evo G4 without which its Oled technology would be ineffective and even some mini led tv s Samsung QN90D over two systemic boundary compensation for usage in direct liquid crystal panel in great pictures, but both models shone quite bright red.
The graphs depict the color levels as per the U7N, one of the 1140 colors in the SDR signal Theter Day mode with respect to Rec.709 Broadcast standards and HDR in filmmaker mode with respect to DCI-P3 digital cinema standards The graphs depict the capabilities of the U7N at 1140 colors being Adaptive for an SDR signal Theter Day mode with respect to Rec 709 Broadcast standards and an HDR signal in cinematographer mode against DCI-P3 standards.
With both signals, the TV achieves bright whites and a good color accuracy, pleasing colors overall. While green and yellow colors almost achieve the DCI-P3 color space fully, cyan colors are a bit greenish, but the achievement is still commendable.
Without pre-reference use the Scene Select mode in the U7N, The “Lion” episode of the BBC’s Dynasties which is a wildlife documentary looks very good and very unnatural to the U7N’s screen’s color accuracy however. There is no dullness and no exaggeration of the greens and yellows of grass and the tans of lion fur. The image is more or less ‘eye-friendly.’
There are some extend scenes containing high contrasted pictures where some details in shadows tend to become clogged or overexposed. Contours are softly out of focus in particular images like a lioness’ chin cut out from the rough outline of the setting sun and trees peeking from behind a stormy with only drab colors.
The party scenes in ‘The Great Gatsby’ also serve to showcase to some extent U7N’s flaws in high contrast. White shirts, lights and balloons pop out but black suits tend to come close to a very dark grey hue in the same shots. In other shots, the suits appear to be appropriately black but the U7N’s mini-LED backlight system is definitely not as effective as the U8N in that regard. However, skin color looks nice and has the right degree of saturation among the blacks and white, and color does somehow break through.
Trade material on Spears & Munsil Ultra HD benchmark disc looks very good, quite pleasing to watch especially the nature scenes. Bright sunny landscapes are incredibly bright and natural colors are present, with some dawn and dusk scenes still having mediocre or washed out shadow details. In those conditions, any brightly colored object placed in front of a black background stands out even more, as the background itself is almost pitch black. The usual halo of light bloom around the objects can be observed, although it is more noticeable than on the U8N.
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